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So Be It, Lumbricina

by dgoHn

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Aimkraft dgoHn's third release for Love Love, which stays in stylistic unison with its predecessors - complex patterns of precision-crafted choppage in an uncommon approach somewhere between drill'n'bass, breakcore and electronica. Works the best for active home-listening due to its ambitious workmanship and not least because of its stunning mastering quality which we are not used to in most of the contemporary drum and bass productions. Absolutely worth listening. Favorite track: So Be It, Lumbricina.
Arundeep Chakal
Arundeep Chakal thumbnail
Arundeep Chakal Even if you thought you could know what to expect from dgoHn, you'd only later realise, you never knew! Favorite track: So Be It, Lumbricina.
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mathmassive dgoHn and Rognvald ?!?!?!? DANG! :D Favorite track: Dooky.
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Dooky 06:45


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Those who are aware of dgoHn will by now be familiar with his sound and those who aren’t should be. Back with his third single on Love Love, the drum maestro makes skin prickle once again with two shining original tracks laced with impeccable moments. Only dgoHn can create the kind of drum and bass that sounds like the tightest of ensembles playing meticulously rehearsed arrangements, painting intricate shapes with the percussion.

The title track takes a fresh look at the amen break, finding ways to breathe new life into it. Soaring above the clouds on thick warm pads, the drums thunder with a blissful rage propelled forwards by a rumbling bassline. On the B-side ‘Dooky’ serves up a dgoHn masterclass in spatial control that could well be a future-classic of his. A formidable groove with serious punch, hi-hats skip along as the delicate balance of frequencies gives the listener just enough headspace not to get lost in the deep, dark world it creates. A subtle demonstration of tension and release, this single floats like a butterfly and stings like a bee whilst dripping with funk.

Lastly, Rognvald switches up the title track with a jam that triples the edits and doubles the bass, tipping the scales from the side of restraint to that of chaos without losing the feel of the original. Artwork once again provided by Colin ‘Snublic’ McCallister.


released January 29, 2018

Tracks written and produced by John Cunnane.
Mastered by Keith Tenniswood.
Artwork by Colin McAllister / SNUBLIC


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